欧洲的某个地方（Valahol Európában）

◎影片名称：欧洲的某个地方 （Valahol Európában）

◎影片别名：Somewhere in Europe

◎影片类型：剧情

◎豆瓣链接：32138927.3

◎IMDb链接：tt00399497.6

◎影片时长：100 ,105 ( 分钟

◎影片导演：盖佐·冯·劳德瓦尼 

◎影片编剧：贝拉·巴拉兹 费利克斯·马里亚 盖佐·冯·劳德瓦尼 

◎影片主演：米克洛什·加博尔 öö 

◎上映日期：1948-11-19

◎影片地区：匈牙利

◎影片语言：匈牙利语

◎创建时间：2024-07-07 19:35:57

◎更新时间：2025-05-25 12:34:01

◎影片剧情：
　　Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.

　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.

　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.

　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

◎网站提醒：

　　天堂影院为您整理了电影《欧洲的某个地方》的相关资讯，《欧洲的某个地方》于匈牙利上映，是一部由导演盖佐·冯·劳德瓦尼 导演执导，贝拉·巴拉兹 费利克斯·马里亚 盖佐·冯·劳德瓦尼 担任编剧，米克洛什·加博尔 öö 等演员精彩演绎的匈牙利电影，手机免费观看全集高清未删减完整版电影大全就上天堂影院(http://www.957gou.com/)，本网站同时也提供《欧洲的某个地方》的BT种子、迅雷、磁力链等下载资源。更多相关信息可移步至豆瓣电影、电视猫或剧情网等平台了解。最后温馨提示：在享受影片带给我们的学习和娱乐体验的同时，请不要长时间处于近距离观影状态，这样对视力和眼睛疲劳有负面影响。