移动的影像（Das wandernde Bild）

◎影片名称：移动的影像 （Das wandernde Bild）

◎影片别名：The Moving Image,The Wandering Shadow

◎影片类型：爱情

◎豆瓣链接：2326847N/A

◎IMDb链接：tt00118375.9

◎影片时长：Germany: 4 分钟

◎影片导演：弗里茨·朗 

◎影片编剧：弗里茨·朗 特娅·冯·哈堡 

◎影片主演：米娅·迈 汉斯·马尔 哈里·弗兰克 鲁道夫·克莱恩-鲁格 洛妮·内丝特 

◎上映日期：1920-12-25

◎影片地区：德国

◎影片语言：silent

◎创建时间：2024-08-26 14:37:37

◎更新时间：2025-07-05 19:06:34

◎影片剧情：

　　After the death of his brother Georg, John Vanderheit expects to inherit his fortune. Unfortunately, just before he died Georg made a will in which he bequeathed his entire estate to his wife, Irmgard. Unwilling to yield to John, Irmgard takes flight and undertakes a hazardous journey into the mountains. Here, she meets a kindly hermit who offers her shelter. John is not far behind, however, and when Imrgard repulses him he causes an avalanche in an attempt to kill her. Trapped in the hermit’s shelter, Irmgard’s new friend removes his hood – and reveals that he is her husband Georg...

　　Das Wandernde Bild marked the beginning of the fruitful collaboration of director Fritz Lang with writer Thea von Harbou. They married in 1922 and the couple would become the creative force behind some of the greatest German films of the pre-WWII era, works such as Dr. Mabuse, der Spieler (1922), Metropolis (1927) and M (1931).

　　Until quite recently, Das Wandernde Bild was thought to have been lost, the fate suffered by the majority of films made in the silent era. Fortunately, an incomplete print surfaced in Brazil and the film was partially restored in the late 1980s. Around a third of the film is missing, along with the script and inter-titles. Despite this, the restored film is surprisingly coherent and the lacuna are hardly noticed.

　　Das Wandernde Bild may not be Lang at his best (its main weaknesses being its slightly ludicrous plot and some embarrassing Perils of Pauline moments), but it amply demonstrates the director’s mastery of technique and flair for expression through the silent image. The film is most memorable for its beautifully realised location sequences, which appear to show the influence of Lang’s contemporaries, notably D.W. Griffith. (© James Travers 2009 )

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